A reliable repertoire graces the new self-titled release from Charmian Gadd and Phillip Shovk. Recorded two years ago at the Sydney Conservatorium of Music, the album features three sonatas for violin and piano. All in major keys, the works offer a chance to carve out an hour-or-so and indulge in some fine 19th-century music. Gadd’s timbre on violin is luscious with high frequencies in the opening Brahms Violin Sonata No 1 in G. Shovk burbles away with a neat brush of the keys, which satisfies the need for a fuller and warmer foundation of sound. In his notes, Shovk informs us this work is in the style of Beethoven – perhaps a reason he chose the master’s Sonata No 10 in G to complete the album. But sandwiched between these two legendary composers is Fauré: his Violin Sonata No 1 in A. A pivotal work in the chamber repertoire, Fauré’s music is composed and performed with affection (except during the rumbling momentum of the Allegro vivo). The Beethoven eventually arrives with a frisky little trill, instruments echoing each other before joining in rhythmic unison. In this Allegro moderato, Gadd and Shovk bare their abilities to respond acutely to each other’s musical approaches….
September 15, 2017
The Music in Exile series is a fantastic initiative by Canadian group ARC Ensemble (Artists of the Royal Conservatory). A spotlight on composers of suppressed music during the rise of Nazism, the most recent in the series looks at the chamber works of Paris-based Polish composer, Szymon Laks. Musically, Laks was something of a more cosmopolitan Bartók, with notes of Hindemith, Poulenc and even Prokofiev peppering his language. His works are infused with tuneful confidence, and many, particularly the Piano Quintet, draw on Polish folk tradition. The performances on this disc are all crystal clear, capturing the fine lines of Laks’ calculated counterpoint. Much of the music is light, and upbeat in character, with the works including winds having particular bounce. This is music in stark contrast to the darkness of the war, during which Laks was imprisoned at Auschwitz. In the midst of the terror of the Nazi regime, music might have been a light of hope, especially for those at Auschwitz. The camp had a few ensembles, and at one point Laks was appointed conductor of the men’s orchestra. Laks’ testimony, however, was that music provided little in the way of comfort: “In no case,” he said, “did…
September 15, 2017
Heath's Bartók is truly Béla: New cycle of the string quartets gets to the heart of darkness.
September 15, 2017
Altstaedt and Madžar make light work of a heavy programme.
September 14, 2017
Chamber favourites and Australian premieres adorn a programme that features new collaborations and old friends. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
September 7, 2017
From Falla to Michael Jackson, the cello and guitar duo talk about their tour plans and the pleasures of Australian coffee.
September 4, 2017
In an exclusive interview with Limelight, Anna Netrebko speaks about life, art and the things she won't do anymore.
September 3, 2017
Soprano Emma Pearson gives her all in Golijov’s monumental Ayre.
September 1, 2017
Bold, energetic performances of works old and new.
August 30, 2017
Intercurrent demonstrates a contemporary music scene alive, evolving and thriving.
August 30, 2017
A world-class Tristan and a handful of classical music’s biggest beasts are joined by a raft of top soloists and premieres. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
August 29, 2017
The Wooster Group's Sydney debut, an underwater concert and an Irish variety show with Panti Bliss are in the 2018 line-up.
August 28, 2017