Review: Songs from the Bush (Omega Ensemble)
Lyricism and subtlety in a programme that favoured tranquility over excitement.
Lyricism and subtlety in a programme that favoured tranquility over excitement.
Like the best festival programmes, this is one to provoke debate and disagreement.
An exceptional farewell from a young quartet with great potential.
The new instrument, valued at $1.4 million, is an Amati and was played by the cellist Amaryllis Fleming.
A memorable and highly successful Promenade at the National Portrait Gallery.
Fragmentation and a French quartet continue the revolution.
A captivatingly scrapbooky interplay between piano and the voices of history.
A smart, challenging programme highlighting Shostakovich's personal upheavals.
The Festival hits the ground running with music from home and abroad.
Works will range from opera, electronics, and immersive live performance, with two thirds of funding going to women composers.
More pleasures as Goldners play Vasks and Dickson premieres Edwards.
An eclectic offering showcasing some of the individual talents in Arcadia Winds.
From late Romantic to early 21st century, another trove of chamber treasures.