Tenor Nathan Bryon has won the prestigious Sydney Eisteddfod Opera Scholarship, with baritone Jeremy Boulton placing second and soprano Anna Stephens coming third.
There were some exciting new works in this concert. Occasionally the musical elements faltered, but nonetheless the joyousness of the choristers shone through.
Chamber Music Adelaide and MOD. have announced the names of the composers who will write a new work in response to MOD.'s award-winning exhibition INVISIBILITY.
Allchurch leads his fine ensemble in meticulous style offering songs for comfort, for entertainment and for change, sung from the heart.
A very good set of performances, with Marian Heckenberg joining the Quartet to play Dvořák’s String Quintet No 2, which was a highlight.
This was an uplifting concert of audience favourites, with a profoundly moving performance of Schumann's Piano Concerto by Alexander Gavrylyuk.
A thought-provoking concert showcasing composer Cathy Milliken’s major new work and violinist Emily Sun’s virtuosity.
A new report finds that American orchestras have quadrupled their programming of diverse composers. Will Australian orchestras follow suit?
The six month-long program features a generous collection of Australian and international artists, 17 premieres of new works and a broad variety of genres.
Karin Schaupp takes us inside – literally – her newest project, which is heading to the Adelaide Guitar Festival in July.
The budget reflects a holistic approach to the Arts sector as Queensland prepares for the 2032 Olympics, which could be boosted by the revival of the state's oldest concert hall.
Principal Violin Helena Rathbone discusses the ACO's current concert, which features a Bach family reunion.
Carl Vine introduces his new clarinet quintet for Omega Ensemble, inspired by the cooperation, collaboration, and mutual understanding he experienced as a mentor for the ensemble's CoLAB program.
