Review: Review: Brahms Festival (Garrick Ohlsson, WASO)
Ohlsson delivers an incisive yet fulsomely poetic reading of Brahms' massive First Concerto.
Ohlsson delivers an incisive yet fulsomely poetic reading of Brahms' massive First Concerto.
The composer admits to an obsession with the passage of time in his latest work for the West Australian Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ulrike Klein’s new Ngeringa Cultural Centre has been specifically designed for the performance of chamber music.
Award-winning pianist Daniel de Borah shares why he’s embracing the camaraderie of chamber performance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The award-winning vocal organisation offers a “multilayered programme for young people with a love of music.”
The iconic venue has received a 4 Star Green rating for it’s eco-friendly operations and innovations.
The pianist talks about his early passions, the rigours of Alfred Brendel and surviving a Liverpudlian seagull swoop.
★★★★★ Double concerto offers delights to match Fisch’s sublime Second.
★★★★★ Zukerman finesses Brahms’ concerto, but Fisch’s First is world-class.
★★★★☆ Andrew Haveron’s Sibelius favours poeticism over flamboyance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★★ Young and Bell create a brilliant synthesis between music and narrative. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Limelight speaks to Richard Mills about 2016’s gastronomic delights, circus thrills, and bel canto masterworks.
If every arts outfit that didn’t turn a profit were to shut up shop it would be a cultural desert out there.