Instant classic: What does it take to improvise a film score live?
Like his silent comedy hero Buster Keaton, pianist-composer Ashley Hribar prefers to work without a safety net.
Like his silent comedy hero Buster Keaton, pianist-composer Ashley Hribar prefers to work without a safety net.
Ahead of its world premiere at Canberra International Music Festival, composer Andrew Ford talks about the evolution of a hymnal to the land.
Even when the going gets tough, the team behind the sonically adventuresome Dots+Loops wouldn't have it any other way.
Victorian Opera announces its Ballarat Opera Festival, part of the company’s ongoing commitment to cultural life outside of Melbourne.
Rear Window meets Cabaret in this joyous and sometimes achingly romantic exposé of desire, intimacy and love.
Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.
Chloé Charody strives to find new and innovative ways to draw attention to the destruction that immigration detention centres do.
New faces, international guest artists, returning favourites and a bittersweet farewell – the 2024 AFCM is brimming with gems.
Melanie Gall delivers a true one-woman show in this tribute to a pair of French superstars.
An innovative but inconclusive evening’s entertainment as the sun sets on Perth's Scarborough Beach.
Belvoir's award-winning Counting and Cracking to get its Victorian debut in this year's RISING festival.
Log in to read the PDF version of Limelight's March 2024 magazine.
In 2024, some of the country’s leading arts venues will embark on or complete major renovations. What can audiences expect as a result?