features

Sydney Film Festival programme unveiled

Sundance and Cannes favourites, Gael Garcia Bernal and a Japanese love story among this year’s cinematic offerings. Continue reading Get unlimited digital access from $3 per month Subscribe Already a subscriber? Log in

April 4, 2011
CD and Other Review

Review: Black Swan: original motion picture soundtrack (Clint Mansell)

Clint Mansell is the former frontman of UK band Pop Will Eat Itself and the composer of cult scores for Darren Aronofsky films Pi, Requiem for a Dream and, now, Black Swan. The soundtrack to this ballet thriller is a bold reimagining of Tchaikovsky’s Swan Lake.  Mansell doesn’t quite have the musical chops to take Tchaikovsky’s score apart himself – but, with the help of arranger-conductor Matt Dunkley, he has concocted 16 tracks of atmospheric instrumental music which dance around moments of high drama in Tchaikovsky’s score. These are given rather silly names – Opposites Attract, A Room of her Own, It’s My Time – which relate to the movie, but say nothing about the music. Still, on the whole, this is an interesting undertaking – Swan Lake seen through a glass darkly. And Mansell has the good judgement and taste to let Tchaikovsky’s music speak for itself when necessary.

March 29, 2011
CD and Other Review

Review: The Girl Who Kicked the Hornet’s Nest (Michael Nyqvist, Noomi Rapace)

The Girl Who Kicked the Hornet’s Nest picks up where the previous film left off – with Lisbeth Salander (Noomi Rapace) in hospital with gunshot wounds. Charged with the attempted murder of her father (she planted an axe in his head), she relies on her old friend and lover Blomkvist (Michael Nyqvist) to prove her innocence, to take down the authorities who conspired to keep her locked up and silent since she was 12 years old. There are Russian defectors, dodgy psychiatrists, courtroom antics and more.  Containing none of the excitement or even the elegance of the first film, The Girl With the Dragon Tattoo, Hornet’s Nest is cumbersome and way too long. Clocking in at 150 minutes, it’s as though the filmmakers were afraid to upset the book’s squillions of fans by condensing the narrative to make a more intriguing and enjoyable experience.  The performances are all good and there are thrills to be had, but with the book being adhered to so closely there is little chance of getting under the skin of any of the key characters. If I hadn’t seen the previous films, or read the books, I would have been confused.

March 29, 2011
features

The Social Network wins Best Original Score

Electronic music wizards Trent Reznor and Atticus Ross triumph over established film composers, winning Best Original Score for The Social Network. Continue reading Get unlimited digital access from $3 per month Subscribe Already a subscriber? Log in

February 28, 2011
features

Carmen in 3D

Bizet’s most famous opera Carmenwill be screened in 3D across Australia. Continue reading Get unlimited digital access from $3 per month Subscribe Already a subscriber? Log in

February 11, 2011