There is an emphasis on West Australian talent and deep engagement with the community in the state opera company’s programming for next year.
In this month's Opera Column, Greg Eldridge deplores the slashing of arts funding by governments and universities around the world, and asks how will the next generation access the same opportunites that he had.
The Hungarian conductor talks about Limelight’s 2021 Opera Recording of the Year.
Kanen Breen dazzles in a riotous production of Rameau’s comedy directed by Neil Armfield.
Review: Massenet: Thaïs (Nicole Chevalier, Josef Wagner, ORF Radio-Symphonieorchester Wien, Leo Hussain)
Nicole Chevalier demands to be heard in Konwitschny’s angel-laden production.
The third time’s the charm (hopefully) for OA’s new fully digital production of Wagner’s Ring Cycle.
The votes are in, the judges have spoken, and the winner is...
Composer Georgia Scott, singer-songwriter Eliza Hull and artist Timothy Cook have been named as the recipients of the third annual National Arts and Disability Awards.
Review: Donizetti: Il diluvio universale, Ugo conte di Parigi & L’assedio di Calais (London Philharmonic Orchestra)
Three hits scrubbed up in sparkling sound showcase Donizetti in full lyrical flight.
This recital, which extended beyond opera and lieder to include musical theatre and Australian standards, was rapturously received.
After a hiatus in 2020, we once again asked our reviewers and readers to vote for the Australian and International Artists of the Year. We are thrilled to announce our 2021 winners.
A hollow-hearted new co-production with the Met gets off to a standing start.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.