Review: Peter Maxwell Davies: Eight Songs for a Mad King (Psappha)
Valuable re-issues of Maxwell Davies at his most iconic and provocative.
Valuable re-issues of Maxwell Davies at his most iconic and provocative.
This festival is an extraordinary achievement in improving accessibility to opera and the arts more broadly.
Industry bodies call on new government to immediately begin work to rebuild cultural sector.
Forging his own unique sound, didgeridoo virtuoso and composer William Barton has introduced a refreshing new voice to Australian classical music.
As Opera Australia searches for a new Artistic Director, Peter Tregear argues that it’s time for the company to find a fresh artistic vision predicated on the belief that opera has something important to offer the public.
It’s time for ageing audiences to put their demands for old-fashioned opera out to pasture.
This month’s concert highlights from ABC Classic, independent radio and streaming.
The piano leads the field with front runners Mitsuko Uchida and Leif Ove Andsnes, but first an auspicious start to a brand new Mahler cycle.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Jonas Kaufmann discusses playing Lohengrin, losing himself in a part, and how to sing pianissimo for sustained periods.
As the election enters its final days, Fund the Arts evaluates the arts policies of the three main parties and several independents.
Labor announces its arts policy, but mostly just the vibe of the thing.
The Spanish mezzo-soprano – one of the greatest of all Carmens – has passed at 89.