Cutting Edge: Who’s Watching Who?
Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.
Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.
What do our opera and dance companies have on offer in the year ahead?
Richard Mills’s new opera reaches for the stars, but they don’t quite align for the outgoing Victorian Opera Artistic Director
Starting 2024 as Violetta in her Opera Australia debut, soprano Samantha Clarke has a big year ahead.
The son of the Tuscan tenor Andrea Bocelli, Matteo returns to Australia for his first tour as headliner.
Getting ready for your summer break? Why not make the bumper new edition of Limelight magazine a part of it?
Through the wonders and shortcomings of technology, the legendary soprano makes her Melbourne debut 46 years after her death.
A six-star finale to Chen Shi-Zheng’s five-star Ring Cycle sticks to the script and proves all the world loves a good bedtime story.
Dame Ethel’s second opera proves she was more than a one or two hit wonder.
The third opera in Wagner’s tetralogy throws up plenty of challenges, but Chen Shi-Zheng tackles them boldly and triumphs.
Chen Shi-Zheng’s meticulous staging of the second opera in Wagner's tetralogy proves his Ring Cycle is one for the ages.
Chen Shi-Zheng’s finely crafted Ring Cycle heralds a return to Neue Bayreuth, but with a human touch.
Pinchgut's superlative specialist cast of singers polish Handel's 1715 hit to a dazzling shine.