Review: The Torrents (Black Swan State Theatre Company)
A play that subtly presents an alternative model of what might make Australia a mature nation.
A play that subtly presents an alternative model of what might make Australia a mature nation.
This new Australian musical has a great subject and two terrific performances but it spends too much time just telling us things.
Andrew Bovell's wonderful, compassionate play about family is staged with a beautiful simplicity and clarity.
A magnificent performance by Anthony Warlow in the title role is the unforgettable highlight in a lacklustre production.
Does hip-hop US history musical live up to the hype? And then some.
Clare Watson directs Oriel Gray’s neglected, and radical, newsroom comedy.
International theatrical phenomenon Harry Potter and the Cursed Child and Belvoir's Counting and Cracking lead the way with eight nominations each.
An infectious interactive experience from which there's no escape, even for the cautious bystander.
A fateful phone call between an aging star and an emerging starlet becomes the vehicle for an unforgettable evening of exquisite cabaret.
Anthony Warlow tells Jo Litson that he has refound his theatre mojo in the demanding role of the Demon Barber of Fleet Street.
Helen Dallimore delivers the gold at end of the rainbow.
Shakespeare’s star-cross’d lovers return to the stage with a few modern touches.
Kat Stewart and Peter Kowitz are both impressive, but the relationship explored in the play feels somewhat improbable.