Sydney Theatre Company unveils its 2018 season
A swathe of new Aussie works, an adaptation of The Harp in the South, and Hugo Weaving as Brecht’s Arturo Ui.
A swathe of new Aussie works, an adaptation of The Harp in the South, and Hugo Weaving as Brecht’s Arturo Ui.
Eamon Flack's updated Ibsen takes a timely look at our own lingering ghosts.
Ahead of Australian cinema broadcasts of Titus Andronicus, the RSC’s David Troughton talks body counts and blood bags. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A timely courtroom drama wth the audience in the role of the jury.
There’s plenty of evidence to indicate engaging in the arts is beneficial to mental health, says Festival Director Jill Bennett. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Limelight Magazine is adding its voice to the other artists and arts organisations voting yes.
With vicious repartee and wounding games, this is a dinner to remember.
Katherine Thomson's 1991 play is as powerful and poignant as ever.
The company joins a long list of arts organisations and venues showing their support for same-sex marriage. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A cast of shape-shifters takes us deep into a hallucinogenic nightmare in Malthouse and Victorian Opera’s Black Rider. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Highlights include Kate Mulvany in an Ibsen gender-switch, an adaptation of Bliss, and a revival of the Hayes’ Calamity Jane.
Highlights include a new play by Patricia Cornelius, an adaptation of a Tim Winton novel and Judy Davis in the director’s chair. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In an exclusive interview with Limelight, Anna Netrebko speaks about life, art and the things she won't do anymore.