HOTA receives $1m donation
As well as making the donation, Elias Jreissati and his family will loan 31 works from their private collection to the HOTA Gallery, which will rename Gallery 4 in honour of their support.
As well as making the donation, Elias Jreissati and his family will loan 31 works from their private collection to the HOTA Gallery, which will rename Gallery 4 in honour of their support.
Last week, NAVA launched the #RecogniseArtistsAsWorkers campaign. Leya Reid from NAVA explains why in this op-ed.
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The Sydney-based artist, who won the 2001 Archibald Prize with a portrait of John Bell as King Lear, and sketched many STC productions, has died from cancer, aged 66.
The modest, restrained budget has few initiatives for the arts and entertainment industry, though this was foreshadowed, with future arts funding to be laid out in the forthcoming Cultural Policy.
The Nielson Foundation, UKARIA Founder Ulrike Klein and Biennale of Sydney CEO Barbara Moore are among those recognised for their philanthropic support of Australian theatre, music and the visual arts.
Mindy Meng Wang is one of nine artists to be awarded the prestigious two-year fellowship to help develop their creative practice.
The First Nations Elder, actor and activist, who overcame abuse and addiction to become an international stage and screen icon, has passed away at the age of 79.
As the Jobs and Skills Summit gets underway today, Adrian Collette, CEO of the Australia Council, discusses how the arts contribute to economic growth and recovery.
Cautious optimism suggests the ravaged industry is making a comeback, but improved attendance is contingent on low transmission risk.
Led by Artistic Director Annette Shun Wah, OzAsia Festival returns to the Adelaide Festival Centre in October with over 500 artists across 50 events and 10 world premieres.
Fifteen experts from across Australia’s creative industries have been appointed to five panels that will identify key issues in safeguarding Australia’s arts sector and its vital role in the economy.
Has the guiding principle of art been killed off by postmodernism?