Humans have been weaving stories into music since time immemorial. For Yuwaalaraay composer and storyteller Nardi Simpson, sound is how she moves through the world.

Cameron Lam started out looking at the sky and pondering the stars, but his thoughts quickly turned to contemplations of death, mourning, bird song, and distant landscapes.

The violinist discusses his new group’s origins, the repertoire they most enjoy, their experience at this year's Canberra International Music Festival, and whether a composer can recreate a painting through music.

New podcast features musical mavericks in conversation.

A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Roland Peelman explores the genesis of Haydn’s Creation, from the high-minded philosophy of The Enlightenment to the very real motivation of a large commission!

Sainsbury writes about how composing, for him, is work, art, cultural expression, and often an expression of play and fun within those. 

Log in to read the PDF version of Limelight's April 2022 magazine.

The Creative Director of the Four Winds Festival tells us about her second and final program.

My most ambitious collaboration yet with visual artist Sal Cooper is an aural and visual excursion into the musical fugue.

Roland Peelman explores the history and the joy of walking, and looks at whether it has a direct link to creativity.