It may take more than we thought to destroy an entire industry.

With COVID interrupting physical get-togethers, the Symphony for Life Foundation has come up with an initiative which sees the children who participate in its music programs perform a digital symphony with professional musicians.

From heart-breaking cancellations due to COVID to funding lifelines, from awards to obituaries, we gather the arts news we have covered over the last month.

Based in Europe, Australian soprano Alexandra Flood is back home for a few months and discusses her career, quarantine at Howard Springs, forthcoming gigs and making the most of it during COVID.

Despite COVID chaos, CinefestOZ is scheduled to go ahead amongst some of Western Australia's most beautiful backdrops.

Prevented from singing by COVID, Queen's Phoenix decided to record world premieres by little-known Franco-Flemish composer Pierre de Manchicourt.

Entertainer James Bustar has produced an impassioned video in which 30 artists talk about the devastating impact the pandemic has had on their careers and mental health.

The program for this year's MIFF has been curated with compassion, ambition, sensitivity and range, and will be presented in a new model, both in cinemas (COVID permitting) and online.

Guy Noble owns up to a bad case of PCSD–Post-COVID Stress Disorder – manifested in unusual bouts of negativity, foreboding and absent-mindedness.

Didgeridoo virtuoso William Barton discusses his world premiere for Queensland Symphony Orchestra and his performances at Illuminate Adelaide and the Australian Festival of Chamber Music.

As Sydney Chamber Choir premieres his new song cycle, Joe Twist discusses his musical inspirations, and working between Hollywood and Australia on animations to the concert hall.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

In a recent speech the Arts Minister noted the value of the arts sector to the Australian identity, economy and people, but failed to acknowledge the steady decline in available arts funding relative to population growth over the last decade, writes Leya Reid.

A year after a terrifying bout of the coronavirus, with blood clots in her lungs, the Australian soprano has finally recovered and is about to play Vitellia in La Clemenza di Tito for Canberra's new National Opera.

Sydney Philharmonia Choirs celebrates the long road back to live performance.