Genevieve Lacey and Marshall McGuire's lockdown recording project is about to become a Musica Viva tour, using lighting to create a poetic, enhanced concert.

The French horn maestro talks about his Musica Viva tour and all things horn.

The violinist and Musica Viva FutureMaker chats to Limelight ahead of his tour with Konstantin Shamray and the ANAM Orchestra.

What’s happening on stage this month? We’ve put together a list of the most exciting events taking place in April 2021.

The Australian soprano, who is performing in Musica Viva Australia's Reconnect series in Perth, reveals the soundtrack to her November.

From flygskam to hazardous air quality, the changing climate is increasingly having an impact on classical music and the arts. Angus McPherson considers how artists and organisations are rising to meet these challenges, and asks what role the arts can play in the face of a climate crisis.

With movements titled ‘Hubris’ and ‘On-message’, Brett Dean’s new piece for the Doric String Quartet swipes left on social media.

The piano four-hands duo ZOFO tell us about their modern take on Mussorgsky’s musical gallery experience, which saw them commission 15 brand-new pieces based on artworks from around the world.

Carl Vine’s final season for the Musica Viva Festival is a study in contrasts. We talk to the outgoing Artistic Director about his legacy, an exciting new octet and one tantalising Trout.

Cello and piano take the listener on a musical journey in Natalie Williams' new piece for British cellist Natalie Clein.

The pianist and Musica Viva Futuremaker tells us about her fascination with colour ahead of performances at the Huntington Estate Music Festival.

Musica Viva’s outgoing CEO reflects on almost two decades in a role she’d originally planned as a career stepping-stone.

One of the foremost interpreters of Bach, the Hungarian-born, English pianist tells us about his favourite composer, what counts as interpretation, and studying with the fierce Ferenc Rados.

The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.

Women composers are wildly under-represented in Australian music across all genres but, as Rosalind Appleby discovers, a groundswell of change is gathering force.

Playing with a chamber outfit in Australia can be a pretty precarious profession. We spoke to some of our finest ensembles about the challenges faced and finding that special ingredient that makes them compelling for audiences today.