Cameron Lam started out looking at the sky and pondering the stars, but his thoughts quickly turned to contemplations of death, mourning, bird song, and distant landscapes.

The violinist discusses his new group’s origins, the repertoire they most enjoy, their experience at this year's Canberra International Music Festival, and whether a composer can recreate a painting through music.

There are 67 new pieces of Australian music in the world and you can hear them all in a festival at ANAM.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Roland Peelman explores the genesis of Haydn’s Creation, from the high-minded philosophy of The Enlightenment to the very real motivation of a large commission!

My most ambitious collaboration yet with visual artist Sal Cooper is an aural and visual excursion into the musical fugue.

Roland Peelman explores the history and the joy of walking, and looks at whether it has a direct link to creativity.

Have COVID delays led to a more in-depth exploration of original ideas by contemporary music makers?

A series of up-close videos is an unexpected positive to emerge from the COVID crisis.

Belonging to a specific culture or genre can be great, but you can end up being stymied, without realising.

A community-driven work responding to the Barossa’s unusual history, and its hidden musical treasures, leads to Ntaria in Central Australia and Brandenburg in East Germany.

Many people are intimidated by new music because of a lifetime of sonic conditioning – a challenge Ensemble Offspring takes in its stride