There are so many euphemisms for dying, but we will only be truly dead when everyone who knew us has ‘passed on’.

The noise of the city is an assault on the ears, says the aurally sensitive Guy Noble. But a beautiful voice is another matter.

Rather than sanction Russian music, why don’t we focus on Ukrainian music – and learn more about it.

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A year after her death from ovarian cancer, a new album has been released to raise awareness of this terrible disease.

Forced into box-ticking to be allowed to work (safely) at the Sydney Opera House, Guy Noble suddenly had an egotistical thought . . .

Have COVID delays led to a more in-depth exploration of original ideas by contemporary music makers?

Michael Sollis asks if it is fair to expect artists to rise above their individual pain and turn their attention to creating works that address the broader societal challenges of the pandemic.

Guy Noble says it’s time to start making more of an effort to increase the representation of women composers on our stages.

Postponed three years because of COVID, Ben Robinson's 'new-old' work is about to be given its world premiere by Ensemble Apex.

There are big egos in music, but happily not too many narcissists, says Guy Noble, who is recovering from a difficult experience with a self-­described “visionary”.

Beset with monkey mind, Guy Noble currently finds satisfaction in cleaning, and wishes he could take his brain out and give that a good scrub too.