A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Christopher Gordon explains how he accidentally ended up releasing a double album of his own chamber music compositions, spanning 36 years.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The latest arts appointments and departures.

What have our opera and dance companies programmed this year?

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Nicolette Fraillon fell into conducting dance, but she was quickly hooked by the artform. Music Director of The Australian Ballet since 2003, she guides Jo Litson through the history of ballet music, discusses the different kinds of collaborations between choreographers and composers, and wonders why ballet scores aren’t always given their proper due.

After doing a double degree, Alexander Rodrigues had to choose between astrophysics and music. He settled on music and is now the Robert and Elizabeth Albert Conducting Fellow at The Australian Ballet.

The pandemic has accelerated the move online, but is it financially viable?

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

On the eve of a new ballet, we ask why Tolstoy’s novel still inspires so many adaptations.