In her final column, Deborah Jones looks at two productions, Giselle and Betroffenheit, available on Marquee TV, dubbed the Netflix of the arts.
Performing arts organisations have been generous, and sensible, in putting shows online during the Covid-19 pandemic but the largesse can’t continue indefinitely. They may be banking a lot of goodwill but that won’t feed artists. I’ve written extensively about dance performances that could be seen without payment and...
This month’s concert highlights from ABC Classic, independent radio and streaming.
The pandemic has accelerated the move online, but is it financially viable?
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This month’s concert highlights from ABC Classic, independent radio and streaming.
Marquee TV, the leading digital arts platform, launches in Australia.
In his final film and television column, Lynden Barber finds rich pickings on Netflix, Stan and SBS On Demand.
In his final column, Clive Paget recommends Glass at the Met, OA's Turandot, and a handful of European gems.
In his final column Dr Nick Gordon travels from Art Basel to White Cube and the Royal Academy in London, who are showing artists including Tracey Emin, Picasso and Manet.
In her final column, Jo Litson explores the musical Who's Your Baghdaddy? live streaming from Sydney, the last five NT at Home plays, and Repeat Attenders, the documentary about musical theatre "superfans".
In this week's column, Angus McPherson takes a look at Melbourne Digital Concert Hall's first international satellite concert, The Academy of St Martin in the Fields' new streaming series, and some cute classical pet pics.
Clive Paget recommends a week with the Vienna State Opera, Glyndebourne's Vanessa, and asks who's afraid of Arnold Schoenberg?
This week, Lynden Barber reviews MotherFatherSon on iView, Filthy Rich and Homeless on SBS On Demand, and Nuri Bilge Ceylan's beautifully shot film The Wild Pear Tree on Stan.
Our specialist writers analyse next year's offerings in theatres and concert halls.
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