Lynden Barber finds the dark shadow of the Ukraine invasion hovering over this month’s film and TV.

Brisbane-born Tim Davies has composed, orchestrated or conducted everything from Disney’s Frozen to FOX’s Empire. He tells us about his latest Netflix project Maya and the Three, which he recorded in Australia.

In this month's column, Lynden Barber surveys a beautiful yet brutal slave drama and a well-crafted thriller.

Lynden Barber surveys British heritage TV and the continuing fascination with the world of Jane Austen.

Lynden Barber turns to France in his latest column, spotlighting the fourth season of Call My Agent! and the film My Donkey, My Lover & I.

It’s certainly harder to justify regular visits to the multiplex when new feature films and serials of quality crop up on the various streaming services, writes Lynden Barber in his latest column.

This month, Lynden Barber reviews the Netflix series Delhi Crime, based on a real, brutal crime committed in 2012, and the droll UK series Detectorists.

With so much great material for TV streaming viewers to choose from, the conundrum is how to navigate the oversupply, says Lynden Barber in his latest column.

In his final column, Clive Paget recommends Glass at the Met, OA's Turandot, and a handful of European gems.

In his final column Dr Nick Gordon travels from Art Basel to White Cube and the Royal Academy in London, who are showing artists including Tracey Emin, Picasso and Manet.

In her final column, Deborah Jones looks at two productions, Giselle and Betroffenheit, available on Marquee TV, dubbed the Netflix of the arts.

In her final column, Jo Litson explores the musical Who's Your Baghdaddy? live streaming from Sydney, the last five NT at Home plays, and Repeat Attenders, the documentary about musical theatre "superfans".