A host of hit new musicals have opened on Australian stages, but do any offer the promise of the now late, great American theatremaker?

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Challenging scenarios for collaborative, COVID music making.

COVID has dashed our Season Preview Guide but 2021 launches are underway.

The Co-Director of streaming platform Melbourne Digital Concert Hall explains how the need to help Australian artists drives the project's incredible momentum.

We investigate why classical music and the high arts are so inhospitable to people from the working-class in Australia – a country that considers itself a classless society where everyone has “a fair go”.

Phillip Sametz calls for more welcoming program notes.

State Opera South Australia presents Richard Mills’ chamber opera as part of its Lost Operas of Oz program.

Michael Quinn talks to two of today’s brightest mezzo-sopranos, Kathryn Rudge and Elīna Garanča, about their very different readings of Elgar's Sea Pictures.

How Nicholas Harding started drawing actors from the wings.

The Chief Executive Officer of Arts Centre Melbourne reflects on singing in church as a child, favourite concerts, and music that has kept her sane during lockdown, from Bach’s Goldberg Variations to Hamilton.

Featured in a recent, semi-animated documentary called Recorder Queen, Genevieve Lacey loves her instrument’s humility, and says that the recorder has transformed her.