It’s not easy to categorise someone like Don Burrows.
Sure, it’s easy to fire off a list of his impressive accolades, like bringing Australian jazz to the global stage, or his countless slots on TV and radio. Plenty of firsts, too: first Australian jazz musician to perform at the Newport Jazz Festival, and the European Montreux Jazz Festival; first Australian jazz artist to be inducted into the ARIA Hall of Fame; and establishing the first ever jazz course in Australia at the renowned Sydney Conservatorium. Overall, an incredibly influential and storied career that paved the way forward for the next generation.
But really, it’s difficult to categorise him because, as staggeringly important as those things are, they aren’t the most truly impactful things he did with his life.
James Morrison and Don Burrows. Photo © Cameron Bloom
Something that people might not have known about Don, before he passed peacefully in his sleep in March this year, was the incredible human side sitting humbly beneath the accolades. Don was warm, funny, and astoundingly genuine. He always said he was happiest one-on-one – coming face to face with people, and building connection...
I experienced Don’s preference for one-on-one at a Thredbo Jazz Festival. I was staying in the same lodge as he and the equally wonderful jazz pianist Julian Lee. I was having breakfast in the dining room one morning and they came in for theirs. Unable to let the chance go by, cornies in hand, I went over and asked if I could join them. Even early in the morning, they were chatty and friendly. It was a wonderful moment for me to talk one-on-one with two of the people I admired the most in Australian jazz.