Our recording of the month for October comes to us from Giovanni Antonini, Artistic Director of Haydn 2032, a mammoth project that aims to record Haydn's complete symphonies in time for the 300th anniversary of his birth.

Our recording of the month for September looks in detail at 1785, an incredible year in Mozart's life. Soloist Leif Ove Andsnes talks to Clive Paget about Salzburg, Vienna, and the magic of Mozart.

Our recording of the month for August is the Tinalley Quartet's second release of Mendelssohn string quartets.

Our Recording of the Month for July comes from American conductor Robert Trevino and the Basque National Orchestra, a remarkable album of orchestral works by Ravel. He talks to Clive Paget about the importance of the composer’s heritage and why this orchestra is uniquely placed to bring out the Basque in Ravel.

Our Recording of the Month for June is the debut recital from Mauritian-Australian soprano Stacey Alleaume. Clive Paget caught up with the rising star soprano to talk repertoire, recording during a pandemic, and what’s ahead.

The New York Phil's first Black Principal talks neglected composers and #TakeTwoKnees.

The two guitarists take us behind the scenes on their duet album, which is Limelight's Recording of the Month in November.

The irrepressible mezzo tells us about her latest album, Antonio Vivaldi, Limelight's Recording of the Month in March.

The Venezuelan-born conductor talks about growing up in El Sistema, learning from Paavo Järvi, and fronting a heavy metal band.

The American soprano sings one of Strauss’ most complex roles in Limelight’s Recording of the Month for January/February.

Osborne's classy impressions, Takács' sparkling Dvorák, Vänskä and his Minnesotans embrace Mahler's Fifth and more.

The English conductor gives his take on whether the French composer was rascal, monk, or both.

The Canadian bass-baritone says there's no excuse for the Finnish composer's songs not to be present in more recital programmes.