It’s been a while since Australian audiences have heard their mellifluous music, but the American Brass Quintet is back. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
An Australian conductor recalls conducting the future Master of the Queen’s Music and more. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Starring 30 hot young classical properties, ‘Our man in the Palace’, a great ballet and Australia’s musical philanthropists.
The top pianist tells us why youth orchestras are so special – and not just for the viola jokes. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Tasmania welcomes the Winter Solstice with twelve days of music and art. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The coloratura, who has become an Italian-based European star, talks about life, Italy, opera and her dog. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The composer talks about his new piano trio that sounds far from soporific. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Or why you really should catch the charismatic Israeli virtuoso who’s reinvigorating his instrument. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Australian guitarist Slava Grigoryan presents his 10 favourite guitar moments (as preserved on YouTube).
The Australian soprano on her career and being pulled out of the Glyndebourne chorus by Sir David McVicar. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The musical superstar of his day, Dufay was feted by popes and princes. Take a look at how a modest provincial Frenchman got to consecrate Brunelleschi’s dome.
The opera star writes exclusively for Limelight about ending her stage career and the good times ahead.
Eisenstein and Prokofiev made one of the great war films. But how did they manage to keep Stalin happy? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
