The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Managing Director of Adelaide Symphony Orchestra Vincent Ciccarello tells us what's in store for the Festival of Orchestra.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The Adelaide composer speaks about her remarkable last two years, and forcing herself to make room for her own work.

This month’s concert highlights from ABC Classic, independent radio and streaming.

Peter Tregear discusses the rise of identity politics and argues that if we wish to defend our orchestral culture, we cannot avoid questions of musical value.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.

Phillip Scott responds to our article Do Our Arts Reflect Us? and argues against looking at classical music programming through the prism of 21st-century ideas of diversity and gender equality.

On the eve of a new ballet, we ask why Tolstoy’s novel still inspires so many adaptations.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Dulcie Holland’s diaries reveal her heartbreaking decision to leave London.

How the Adelaide Symphony Orchestra is redressing the gender imbalance.

Raymond Hanson’s legacy as a composer is not to be underestimated.

Miriam Hyde’s daughter recalls her mother’s love of music.

Much like his Spirit of the Wild oboe concerto, the composer’s new double guitar concerto for Slava and Leonard Grigoryan was inspired by a trip to Tasmania with environmentalist Bob Brown.