Being moderately offensive is the lifeblood of humour, says Guy Noble, as he recalls being booed on stage and the witty on-air jousts between Clive Robertson and Caroline Jones.

The celebrated Australian pianist talks about how life has changed in recent years, from livestreamed concerts to travelling less, and his plans for the future.

The international siren and comedienne extraordinaire reveals the music that runs through her veins, and the thrill she gets singing with a full orchestra.

Cameron Lam started out looking at the sky and pondering the stars, but his thoughts quickly turned to contemplations of death, mourning, bird song, and distant landscapes.

Joe Chindamo's new concerto for trombone and orchestra is inspired by the nature of duality in the works of Edgar Allen Poe and Carl Jung.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Joseph Tawadros recalls how he got hooked on the oud, and how the instrument – and the teaching of it – is evolving as it becomes more accepted into orchestras around the world.

Guy Noble says it’s time to start making more of an effort to increase the representation of women composers on our stages.

What have our orchestras and choirs programmed this year?

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

We chart the latest appointments and departures in the arts sector, among them Anne Dunn who joins Sydney Theatre Company and Carl Crossin who leaves Adelaide Chamber Singers.