ANAM’s Head of Percussion explains how the instruments were chosen for a concert featuring music by Mozart and Ligeti.

The second-time Artistic Director and violinist talks about what's in store for this year's 3MBS Marathon.

Mat Watson's idiosyncratic approach to electronic performance, composition and improvisation is rooted in the landscapes of his childhood.

The new Artistic Director for this year's 3MBS Marathon talks about her program, bringing the rich diversity of Melbourne music to the stage.

Responding to Dr Caitlin Vincent's feature on gendered violence in opera, reader Stephen Kershaw argues that these heightened and passionate deaths are an essential part of opera.

Opera’s gendered violence is a complex issue, with no easy fix 

Why has classical music been so slow to incorporate electric instruments?

Once hugely popular, now rarely seen, Halévy’s La Juive returns to the Australian stage.

 Why Finnish concert pianist Paavali Jumppanen was drawn to ANAM.

The Finnish pianist's eighth Aussie tour sees him mixing Debussy and Sibelius with his old 'Appassionata' for Beethoven.