The pandemic has accelerated the move online, but is it financially viable?

She was one of our greatest dramatic sopranos. Why have we forgotten her?

Max Richter on using music to make sense of a chaotic world.

How the English composer helped prop up the shaky Stuart dynasty.

Circa Contemporary Circus all but invents a new art form.

The Central Australian chamber orchestra inspiring positive change.

This month’s concert highlights from ABC Classic, independent radio and streaming.

Marquee TV, the leading digital arts platform, launches in Australia.

A major new film explores the triumphs and the tragedy of Australian soprano Marjorie Lawrence.

Yaron Lifschitz, AD of Circa, explains how Aardman's much-loved animated TV show is playing tricks in Brisbane.

Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

In her final column, Deborah Jones looks at two productions, Giselle and Betroffenheit, available on Marquee TV, dubbed the Netflix of the arts.

With classical record stores around the country closing their doors as streaming becomes the new way to listen to music, Phillip Scott shares his life-long passion for collecting classical music on vinyl and CD.

Opera Queensland and Circa Contemporary Circus are teaming up to tackle Gluck’s story of love and loss. Circa’s Yaron Lifschitz discusses his powerful vision for the opera, which he says is driven by desire.

As online streaming becomes the dominant way people listen to music, Limelight investigates how these changes are affecting the classical music industry.

This issue includes features on streaming classical music, the life of Tchaikovsky, English actor Maxine Peake, Kronos Quartet, Tom Stoppard and more.