Anna Dowsley fell asleep when she was taken to see her first opera but she still decided to train as a singer. Clive Paget talks to the Australian mezzo-soprano whose European career is taking off.

Leah Purcell discusses her new film, which is based on Henry Lawson’s short story The Drover’s Wife, but told from the perspective of an Indigenous woman in a radical, important reimagining.

Tommy Murphy’s new play puts patriarchal power under the microscope.

Alice Chance talks about synesthesia, Eurovision, the musical Fangirls, and her new string quartet for the Bowral Autumn Music Festival.

In this provocative hit comedy, pop culture is the new, post-apocalyptic religion.

Writer-Director Anne-Louise Sarks reveals why she’s brought Elektra into the 21st Century.