The Big C Word
Why are we so silent on questions of class in classical music? Composer, sound-artist and researcher James Hazelinvestigates why classical music and the high arts are so inhospitable to people from the working-class in Australia – a country that considers itself a classless society where everyone has “a fair go”.
As a composer from a working-class background, I am deeply interested in how forms of socioeconomic stratification and disadvantage affect the ways in which certain groups gain access to music and arts culture. My own music education was anything...
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