Review: A Haunting in Venice (Kenneth Branagh)
After a lacklustre Death on the Nile, Kenneth Branagh's film franchise finds its footing in this spooky murder mystery.
After a lacklustre Death on the Nile, Kenneth Branagh's film franchise finds its footing in this spooky murder mystery.
Like its immaculately groomed subject, All That Heaven Allowed makes a determined effort to maintain a certain dignity.
There’s a touch of the old Twilight Zone to this unusual entry into the canon of apocalypse survival movies.
The emotional territory of Scrapper may feel familiar, but the inventive way it’s treated does not.
More Tinsel Town than tour-de force, Chevalier turns a remarkable life into an unsubtle soap opera.
A free-wheeling, sparky film from Canada, BlackBerry unpacks the human drama behind a tech sector phenomenon.
Set in the 1960s, The Miracle Club touches lightly on women’s rights, faith and miracles.
Hlynur Pálmason’s Godland follows a dour young priest charged with a mission to build a church on a remote stretch of Iceland's coast.
Contemplating grief and the unknown, Wes Anderson’s cosmic tale Asteroid City is his most engaging in years.
This award-winning Spanish film is not at all romantic or sentimental, but still beautiful.
Jim Broadbent sparkles as Harold, a retiree whose life is upended when he receives a letter from an old friend.
Whiplash camera moves and masterful control of pace make for an engrossing – if stressful – procedural based on real events.
Maryam Touzani’s exquisitely woven Arabic language drama tells a love triangle story with a difference.