Review: Lully Lulla (The Song Company)
An enthralling evening of song that found a richer dimension to standard carol fare.
An enthralling evening of song that found a richer dimension to standard carol fare.
A well-shaped programme with pieces that spoke to each other across the centuries.
Fantastic performances by Michelle DeYoung and John Relyea as the SSO storms Bluebeard's Castle.
Engaging political shenanigans, but not a patch on Francis and Claire.
A bold, mostly considered take on Monteverdi's potent tale of sex, power and violence.
Subtle, intimate guitar playing that invites the listener to lean in close.
Beautifully staged and danced, each of the three works has its moments but the choreography needs more of a dynamic.
Magnificent Martinsson song cycle premieres in Australia before high-Romantic smasher – and everybody wins.
There's nothing like a Dame when it comes to Dowland.
High-energy performances drive this musical reboot of Nick Hornby's cult classic.
A feast for head and ears as David Robertson and the SSO kick off oratorio season.
Eddie Perfect’s new satirical play is an unpredictable, often caustically funny poke at its white, middle-class audience.
Misty Copeland makes a highly anticipated role debut in a breathtakingly beautiful production.