Review: Vigil (Adelaide Cabaret Festival)
Brilliant premiere of a Steve Vizard-Joe Chindamo show written for Christie Whelan Browne.
Brilliant premiere of a Steve Vizard-Joe Chindamo show written for Christie Whelan Browne.
Alan Cumming connects big-time with his heartfelt, sappy-happy cabaret show.
This cinematic take on the Scottish play lacks some substance but is far from signifying nothing.
Brett Dean wrangles the moody Dane into two-and-half hours of thrilling music theatre.
Physicality in spades in Michael Frayn's farce-within-a-farce.
A brave and intriguing programme from Slava and the ASQ.
An inventive, heartfelt pastiche that brings the magic of opera to the everyday world.
The familiar story of Orwell’s dystopian novel surprises and disturbs anew.
Music and storytelling combine in a performance that brings narrative archetypes to life.
Pitch-perfectly performed slice of Aussie queer history still has something to say.
Schoenberg and Abbott shine in works reconfigured for Piano Trio.
A musically rich and entertaining step back into the Weimar Era.
An excellent cast led by Marina Prior makes this economy-size production more than the sum of its parts.