Review: Live review: Vere (Faith)
John Doyle’s moving play of physics coming to terms with biology proves far less elusive than the Higgs Boson.
John Doyle’s moving play of physics coming to terms with biology proves far less elusive than the Higgs Boson.
Emma Matthews and James Egglestone help the DSO sparkle in front of Ayers Rock.
Star countertenor proves there's much more to the voice than a load of old Baroque.
New kids on the operatic block tackle Puccini’s nun-fest. The results could be habit forming.
Mehta puts the Australian musical diaspora through its paces with blistering results.
Alexei Ratmansky’s new production sparkles, even when viewed from the back of the orchestra pit.
An aristocrat of the piano turns Bachian teaser with part one of a two-part fugue-fest.
The iconic British theatre company begin their Australian tour with a Noel Coward classic.
Bartlett Sher’s production keeps South Pacific younger than springtime.
A middle-eastern celebration bounds to life in this cross-cultural collaboration between composer and songwriter.
Incoming Principal plays a blinder, suggesting Perth may be the place to be in 2014. Continue reading Get unlimited digital access from $3 per month Subscribe Already a subscriber? Log in
Hunding’s misbehaving trousers fail to scupper a new ship launched on Sydney’s operatic waters.
Rafael Bonachela’s erotically charged choreography shines new light on Benjamin Britten.