Review: Come Sweet Death (Ensemble Apex & Sydney Festival)
Dead wasps, electric insects and the music of bones as Ensemble Apex lets Bach take his last bow.
Dead wasps, electric insects and the music of bones as Ensemble Apex lets Bach take his last bow.
Benjamin Skepper rounded off his Bach mini-festival with an electrified performance that had some heading for the doors, others enraptured.
Bach’s life and times beautifully played out by an ACO foursome, complete with bullet points.
Rupert Goold's pacy production, starring Joseph Fiennes as England football manager Gareth Southgate, looks great on the big screen.
Korkmaz Can Sağlam's Sydney Festival debut reveals a pianist of great technical skill and plenty of heart.
Madeleine Easton’s Akademie band gives this Bach mini-festival an intimate and fitting lift-off.
The famed Swedish contemporary dance company presents works by Damien Jalet and Sharon Eyal in a soulless double bill.
This seven-hour epic is a striking reminder of shared history and celebration of possible futures.
The history of Broome’s pearling industry and a long-ago personal connection inspired Marrugeku’s new dance work.
The slick staging and sharp, talented ensemble of Chicago shine in this classic tale of murder, seduction, corruption and all that jazz.
A gifted cast of veterans play teenagers in this clever, funny and poignant trip down memory lane.
A young cast rises to The Sleeping Beauty’s technical challenges in this production from Australia’s oldest dance company.
Recorder virtuoso Genevieve Lacey turns a solo recital into a visual spectacle and place for community.