Hyperion’s Romantic Piano Concerto series is into its third decade and boasts a catalogue of over 70 CDs. Philip Cipriani Hambley Potter (1792-1871) is the latest 19th-century composer to have his work plucked from obscurity, and this first ever recording of his unpublished second (1832) and fourth (1835) concertos also includes a set of variations (1829) on Corradino’s aria from Rossini’s Matilde di Shabran.

Born in London, Potter had by the age of 30 established himself as a virtuoso with an enthusiasm for the piano concertos of Mozart and (particularly) Beethoven, whose influence is evident here and with whom Potter enjoyed several meaningful encounters. Potter composed at least ten symphonies (of which nine survive), and these appear similarly neglected. If the orchestration in both concertos is any indication, a comprehensive evaluation of the symphonies is in order; the concertos are rich and colourful with an emphasis on wind. The piano parts are virtuosic, technically demanding showpieces redolent with warmth and delicacy.

They’re given vivacious and assured readings by Howard Shelley and the Tasmanian Symphony Orchestra. Shelley’s pianistic technique rings with glistening clarity, and the balance and placement of instruments is excellent. The recording is warm, intimate and clear, bristling with excitement and exuding a sophistication that is completely assured.