For many, the hot ticket item will be Allegri’s Miserere, which opens the disc. The old Kings College recording set the benchmark with impeccable boy solo work. So it is a pleasure to say that the St John’s boys are in top form. Worth noting is the difference in style between the two famous choirs. St John’s evince a more robust sound. Grieg is represented by Ave, maris stella, which is a bit dull. Pärt’s brisker, O virgin, Mother of God, is welcome, and Rachmaninov gives us an entirely different reading of the same text, steeped in deep-throated Russian orthodoxy.
Palestrina, Parsons and Tallis remind us of the austere world of earlier church music. Following the beautiful piety of these early composers, and especially the perfumed sweetness of Franck’s Panis angelicus and Fauré’s exquisite Cantique de Jean Racine, it is a relief to get to the engaging heartiness of Stanford’s Jubilate Deo. Vaughan Williams, John Rutter and James MacMillan are represented by O taste and see, Oh Lord, thou hast searched me out, and A New Song, respectively. Appropriately, Parry’s Hear my words, ye people brings this attractive collection to an end with a vigorous show of Anglican robustness.
At just under 15 minutes, it is the longest work on the program and brims with Elgarian worthiness. It also overstays its welcome, again, not unlike Elgar in his windier moments.