Once you accept music as a living, breathing language, and that there’s a big difference between restoration and renovation, you can really let your hair down and have some fun. As Concerto Caledonia’s director David McGuinness writes in the booklet accompanying this thoroughly entertaining follow-up to their equally irreverent 2011 take on Britten’s folksong arrangements Revenge of the Folksingers, “there’s almost a generally accepted international style in which to play baroque music, an idea which would have seemed preposterous in the musically diverse Europe of the 17th and 18th centuries.”

As with the earlier CD, Purcell’s Revenge is based on a live gig, and Concerto Caledonia (whose lineup includes early music luminaries like recorder player Pamela Thorby and Alison McGillivray on gamba), again teams up with folk musicians. Countertenor legend James Bowman is thrown in for good measure.

The repertoire ranges from arrangements of Purcell faves such as the Rondeau from Abdelazer, Sweeter than Roses and Fairest Isle to Purcell-inspired originals such as Chaney’s Cassiopeia and Silvera’s Halos. Despite mixed results – I was more convinced by Jim Moray’s electric guitar than his vocal abilities – the overall effect is intoxicating. But the highlight must be Chaney’s utterly exquisite arrangement and performance of There’s not a Swain on the Plain. I have yet to take this track off ‘repeat’.

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