Sunday afternoon concerts have a decidedly different vibe from the high-octane Friday or Saturday performances. Relaxed, unhurried, maybe low-key, the flavour generally tends towards the genial side of things. You’d think, then, that this might be a chance to catch Ensemble Q slipping, but of course that wasn’t the case – they were, naturally, performing at their usual extraordinarily high level. This was also their debut performance as the new Company in Residence at QPAC, following a similar residency at the nearby Queensland Conservatorium, and it was a showcase of just why they continue to impress. This concert paired Beethoven’s classic Septet in E-flat Op. 20 with a new work by co-founder and clarinettist Paul Dean, written for the same slightly oddball line-up of instruments.
Beethoven’s piece combines the very different timbres of strings (violin, viola, cello and double bass) with winds and brass (clarinet, bassoon and horn), and sits in a similar mode to Mozart’s Serenades – like the aforementioned Sunday afternoon concerts, relaxed and unhurried. The players here (Natsuko Yoshimoto, Imants Larsens, Trish Dean, Phoebe Russell, Paul Dean, David Mitchell...
Comments
Log in to join the conversation.