Review: Baleen Moondjan (Adelaide Festival)
Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.
Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.
A powerful and moving marriage of music and words pays eloquent tribute to a spiritual and architectural icon.
Struggling to find the right form to tell its story, this cabaret-vaudeville about Nellie Small leaves us wondering who she was and why they sent for her.
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Black, genderqueer and fiercely talented, Nellie Small was a trailblazing star in the 1930s, 40s and 50s. Today, she’s barely remembered.
Famous names, names that should be famous, and the results of Limelight's 2023 Artist of the Year poll! This month's Limelight is a big one.
Famous names, names that should be famous, and the results of Limelight's 2023 Artist of the Year poll! This month's Limelight is a big one.
The Festival's 10th year is celebrated with a string of prolific Australian female writers across fiction, non-fiction, stage and screen.
The Pavilion Performing Arts Centre promises to revitalise the Shire's artistic community, with its opening program hosting renowned Australian productions and newly commissioned local works.
All the elements are there in Alana Valentine’s latest play, but Wayside Bride desperately needs further work to fulfil its promise.
The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.
The Australian composer discusses his new oratorio Watershed: The Death of Dr Duncan, which premieres at the Adelaide Festival.
Stephen Page's breathtaking, final production as Bangarra AD, combines dance, spoken word and song, and takes the company into exciting new territory.