Cutting Edge: Music in 3D
Percussive artist Matthias Schack-Arnott talks about opening up John Cage’s Sonatas and Interludes with his three-dimensional musical approach.
Percussive artist Matthias Schack-Arnott talks about opening up John Cage’s Sonatas and Interludes with his three-dimensional musical approach.
Linda May Han Oh’s Ephemeral Echoes explores the nature of transience and time, and brings the composer home to Perth for its world premiere.
Katie Yap, the 2022 Freedman Classical Fellow, tells us about the project she is undertaking as a result of her win.
ACO Underground now has its own band, whose genre-bending gigs include everything from their own punk tunes to Nick Drake and Bach.
Why taking music out of the concert hall has been a key element in Lamorna Nightingale's programming for BackStage Music.
Experimental music festival Audible Edge is raising the stakes by exploring new possibilities from within its weird, warm-hearted community.
Eugene Ughetti discusses the changes he’s seen since founding Melbourne’s Speak Percussion 20 years ago, and their latest project Scream Star.
It is vital the classical music world embraces new music by First Nations artists, so we learn to respect and understand their music and culture.
A century since his birth, the music of Xenakis remains challenging, vital and bold.
There are 67 new pieces of Australian music in the world and you can hear them all in a festival at ANAM.
My most ambitious collaboration yet with visual artist Sal Cooper is an aural and visual excursion into the musical fugue.
Have COVID delays led to a more in-depth exploration of original ideas by contemporary music makers?
A series of up-close videos is an unexpected positive to emerge from the COVID crisis.