After its huge success last year, Opera Queensland's ten-day outback Festival returns. We talk to the festival organisers and headline performer Greta Bradman.

Golijov's Three Songs for Soprano and Orchestra, with Sara Macliver as soloist, was the highlight of a wonderful concert that also featured music by Prokofiev and Sibelius.

The QSO’s Queensland’s Finest program featured three of Queensland’s brightest young classical artists – a composer, a conductor and a pianist – in a high quality and joyous program.

Dane Lam reflects on his time studying with Gianluigi Gelmetti Siena’s Accademia Musicale Chigiana from 2003-06, and life as his assistant at the Sydney Symphony Orchestra.

Mozart’s glorious music wins the day in Opera Queensland's overly busy, contemporary interpretation of The Marriage of Figaro.

The University of Queensland Music School reaches a new height of achievement with its performance of Beethoven’s glorious Symphony No 9.

Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.

Based in London, Brisbane-born conductor Dane Lam had a diary full of international concerts, then COVID struck. He and his fiancée decided to return home – and it’s turned out better than he ever dared hope.

Dane Lam unveils Lyle Chan’s new fanfare in a concert that spans chamber orchestra to organ symphony.

Welcome initiatives and fine music from the Adelaide Symphony Orchestra.

QSO's 2021 season opener sparkles like a champagne pop.

The new Canberra company unveils its inaugural season tomorrow. In an exclusive story, we reveal the two productions it will present next year.