Review: Vespers (Pinchgut Opera)
Monteverdi’s sublime work is given glorious voice by Pinchgut in an intimate arrangement.
Monteverdi’s sublime work is given glorious voice by Pinchgut in an intimate arrangement.
Ahead of Pinchgut’s performances, Erin Helyard discusses tackling Monteverdi's masterpiece.
The period instrument ensemble will be livestreaming each tour thanks to Melbourne Digital Concert Hall, as well as launching a new series of concert films.
The company celebrates 20 years with impressively bold offerings and major players.
Comfort and joy from Pinchgut Opera, in a Christmas concert of interweaving colours and enchanting hues.
Oud virtuoso and composer Joseph Tawadros’ took out the award for Best World Music Album in the 2020 ARIA Awards.
David Greco and Erin Helyard's imaginative program of baroque rarities makes for an ideal return to the concert hall.
Stripped back Schubert as Schubert might have heard it.
Pinchgut Opera's rich and resourceful film showcases Barbara Strozzi in a feast for eyes and ears.
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
Rare outings score over same old-same old, new wine in old bottles, and do we really need more Beethoven?
Recorder player Alicia Crossley and pianist Jayson Gillham are among the nominees for Best Classical Album, while keyboard virtuoso Erin Helyard’s name comes up twice.
The pair’s recording of violin sonatas by Beethoven and Mozart has won Best Independent Classical Album or EP at this year’s awards presented by the Australian Independent Record Labels Association.