Pinchgut Opera’s 2019 set to be a stellar year
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
Kosky's dazzling production of The Nose celebrates the grotesque and the absurd.
Turning their back briefly on opera, The Strange Bedfellows are back with a cabaret that will definitely be more naughty than nice.
A heavenly accounting of Elgar's oratorio.
Wonderfully cast and cunningly staged, this darkly humorous, musically eclectic fable disturbs and delights.
The star of Rufus Wainwright’s Adelaide Festival opera talks us through the highs and the lows of life as a Prima Donna Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The arts sector is up in arms over management proposals to decimate arts coverage at SMH and The Age.
Thrilling choral theatrics abound when the church goes to the opera.
The mezzo on the prevalence of domestic violence and why she believes “Cavalleria Rusticana is absolutely contemporary”.
The Australian mezzo soprano has been dropped from OA’s Parsifal for reasons that at present remain a mystery. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Julie Kerr has founded Music Love, an online platform to showcase women across all branches of the Australian music industry.
Pitch-perfect revival of The Sound of Music proves it's more than just the hills that are alive.
Fording the stream from opera to musicals, this plucky opera singer explains the differences between performing the two genres. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in