Review: Gabriel Pierné: Ratmuntcho, Cydalise et le Chèvre-pied, Suites (National Orchestra Lille, Darrell Ang)
Excellent playing, conducting and recording will make you fawn over this faun.
Excellent playing, conducting and recording will make you fawn over this faun.
A stunning juxtaposition of naughty and nice Hindemith.
Market girl finds true love in Hahn’s homage to Second Empire Paris.
The production that kick-started the French Baroque revival is back in style.
Grim and grisly, but with a sumptuous score, Franck’s operatic tragedy is a real find.
Warner’s visually arresting and faultless staging declares Hindemith’s masterpiece.
Charm meets passion in visually sumptuous staging of Gounod’s greatest non-hit.
Post-revolutionary rescue opera at its most entertaining.
Persuasive advocacy by Baldini and Rossi brings Villa-Lobos into vivid focus.
Adventurous survey takes an eclectic look at the Aussie two-piano scene.
A wonderfully appealing blend of music from the Old World and the New.
Sydney-born pianist Rosemary Tuck shares her love of the fun, beguiling music of English composer Albert Ketélby, which she has recorded on her new album A Dream Picture.
An Australian rising star makes an auspicious debut on disc, chamber music dominates in a month of major names, and a visceral new opera dissects the heart.