Review: Stefano Landi: La Morte d’Orfeo (Dutch National Opera)
Audi’s swansong makes compelling case for Orfeo II, Revenge of the Maenads.
Audi’s swansong makes compelling case for Orfeo II, Revenge of the Maenads.
All-male performances show Monteverdi's madrigals in a new light.
ASQ founder’s quartets offer a delightful chamber music discovery.
Live long and prosper with Guitar Trek’s homegrown Australian classics.
Woodie Guthrie inspires a musical monument for our troubled times.
Fashionably late recital by Choni brings piano heavy-hitters to life.
Han Chen delights in surface detail but misses Thomas Adès’ darker depths.
A year in the life of a most interesting young man
The young Shostakovich's incidental music for Mayakovsky's farcical play proves a delight.
The label plans to record and release over 100 rare works by a dozen important composers.
The American conductor tells us about swapping guitar for baton, what recording can do for an orchestra, and her new Respighi disc, which is Limelight's Recording of the Month in April.
She came, she saw, she conquered: JoAnn Falletta sets light to a dazzling Roman candle, and what’s more at bargain price.
When the Hong Kong Philharmonic asked Klaus Heymann if Naxos would record its Ring cycle he thought it was “a crazed idea” but agreed anyway. We discover how the orchestra, under Jaap van Zweden, struck (Rhine)gold with the ambitious project.