Review: Rachmaninov’s Third Piano Concerto (West Australian Symphony Orchestra)
Three disparate works which, despite differences in scale and style, beautifully highlight the relationships between soloists and orchestra.
Three disparate works which, despite differences in scale and style, beautifully highlight the relationships between soloists and orchestra.
Yeol Eum Son's consummate technique and passion matched at every step by the TSO in its season-opening concert.
Rachmaninov with two Kirills – Gerstein and Petrenko – makes a perfect package.
Pianist Joyce Zhang and conductor Xian Zhang deliver a big hit in the guise of an MSO Quick Fix.
Friends combine in a fine performance of three extraordinary masterworks illuminating their composers’ careers.
Nézet-Séguin and his Philadelphians uphold their Rachmaninov tradition, brilliantly.
Echoing the Baroque, the classical and the conceptually-driven works of Rachmaninov, Nicholas Britell's Succession score is one for the ages.
Stephen Hough aces the sternest tests for a classical pianist in the Adelaide Symphony Orchestra's celebration of Russian music.
From barnstorming to delicately decorative, Stephen Hough's pianism shines across an unhackneyed program.
The Italian bass Ferruccio Furlanetto brings his signature expressiveness to songs and arias from a half-century on stage.
Why does Rachmaninov remain so popular with audiences? Pianist Stephen Hough discusses the composer-pianist’s turbulent career.
Uzbek pianist Behzod Abduraimov shone in duet with the QSO in Rachmanimov’s Concerto No 2 for Piano and Orchestra, while ancient landscapes came to life in Lachlan Skipworth’s Hinterland.
Lieder duo cement place in top echelon with spectacular sophomore album.