Review: Baroque Kaleidoscope (Australian Brandenburg Orchestra)
The ABO’s core musicians step out to showcase their soloistic skills with dazzling displays of technique.
The ABO’s core musicians step out to showcase their soloistic skills with dazzling displays of technique.
Brandies dish up a double serve of delicious Vivaldi, Seasoned to taste.
This presentation of a neglected masterpiece in an abridged version by Joseph Nolan proved welcome and accomplished, but it undercut the work’s complexity and didn't always do justice to Handel’s genius.
Paul Dyer discusses the six concerts featuring Leila Schayegh, Elinor Frey, Théotime Langlois de Swarte and the Whirling Dervishes from Konya, as well as a happening with graffiti artists away from the mainstage.
The audience goes crackers for the stunning male soprano from Caracas.
Cracked clarinet was an ill wind that blew some good in the end.
Italian Baroque with Circa is an uncomplicated hit in this year’s festival of complications and setbacks.
West Australian Symphony Orchestra and Guest Director Shaun Lee-Chen delivered an excellent mix of Baroque delights: crowd-pleasers, showstoppers and rarer gems.
Two of Perth’s premier Historically Informed Performance groups combine for a perfect duet.
The violinist and St George's Cathedral Consort were a brilliant programming match in this concert performed beneath a blue whale skeleton.
An emphatic, energetic start to a new year with the first subscription concert for 2021.
The entirely WA program takes the river as its theme and includes a range of new work, with a strong Noongar component.
Eleven-year old violinist Christian Li proves to be something rather extraordinary in this ABO concert.