Cathy Milliken on an urgent cry
Voice and violin come together in Cathy Milliken's new solo piece for Véronique Serret, dedicated to women who speak out.
Voice and violin come together in Cathy Milliken's new solo piece for Véronique Serret, dedicated to women who speak out.
In his new work for the Australian String Quartet, the composer holds a mirror up to the form made famous by Joseph Haydn.
For the latest offering in her Norse and Celtic-inspired concerto series, Mary Finsterer is harnessing the power of viola and cello.
Riley Lee’s shakuhachi had Lachlan Skipworth heading to Japan. Now he’s melding its haunting melodies with orchestral forces.
In his new sonata, Aspects of Return, native cello-speaker Jakub Jankowski draws on psychology, philosophy and poetry. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The composer’s new work is the product of meticulous planning, right down to the last dynamic detail. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
For her new work, Valley of Lost Things, Kate Neal took her inspiration from memory, grey spaces and a trip to the moon. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Keen for his instrument to boldly go where no oud has gone before, Joseph Tawadros has looked to Egypt for his new concerto
Dear Prudence, won’t you come out to play a new work by Ian Munro inspired by Mozart’s concerti and Australian folk tunes? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The composer is inspired by the moods of the sea, Tennyson’s Ulysses and poetic images of sailing in his new violin concerto. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From saxophone orchestra to wind symphony, Katia’s latest piece showcases woodwind in a new and innovative way. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Alice Chance explains why witchery, rather than madness, is the focus of her latest composition.
Andrew Ford introduces his new electric guitar concerto for Zane Banks and the Adelaide Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in