Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…

Angus Cerini’s new play follows in the footsteps of his gothic dramas The Bleeding Tree and Wonnangatta, both of which used a visceral, poetic language, while plugging into Australia’s complex relationship with the bush. Into the Shimmering World is a quieter, more contemplative piece. Colin Friels and Kerry Armstrong give moving…