Review: Tůma: Motets, Dixit Dominus, Sinfonia (Andreas Scholl, Czech Ensemble Baroque, Roman Válek)
Andreas Scholl sprinkles his magic on the music of a little-known Czech composer.
Alexandra Coghlan is the classical music critic for the New Statesman, and also writes for The Independent, The Times, Opera, Prospect, Gramophone and The Monthly. She was formerly performing arts editor at Time Out Sydney and editor of Sinfini.
Andreas Scholl sprinkles his magic on the music of a little-known Czech composer.
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