Classical:NEXT Innovation Award 2021 longlist announced
Melbourne Digital Concert Hall and Damian Barbeler’s hiberNATION Festival of the Lo-fi are among the initiatives honoured.
Angus McPherson is a writer, editor and digital content specialist. He is a former Deputy Editor of Limelight and has written for BBC Music Magazine, RealTime Arts and CutCommon. A flute player by training, he holds a PhD in Music.
Melbourne Digital Concert Hall and Damian Barbeler’s hiberNATION Festival of the Lo-fi are among the initiatives honoured.
Artists at the 19th iteration of the Southern Cross Soloists’ annual festival will include the Orava Quartet, pianists Jayson Gillham and Gladys Chua, New Zealand soprano Isabella Moore, violinist, dancer and composer Eric Avery and many more.
The artist and designer, whose work is well known to Sydney Festival and Bangarra Dance Theatre audiences, took up the newly created role this month.
Emily Granger and Joshua Batty headline a delightful evening of art, wine, conversation and music at the Ken Done Gallery.
The choir kicks off with a tour of Fauré, Brahms and Tavener across regional Victoria with tickets available for digital performances live and on-demand.
A brand new production of Offenbach’s The Tales of Hoffmann, starring Australian soprano Jessica Pratt, comes to Sydney alongside the return of Aida and Attila.
The music store, which is currently run by the third generation of Logans, celebrated its 100th birthday last year.
The new festival, which replaces the long-running Melbourne Festival, will feature work by Patricia Piccinini, Deborah Cheetham, Matthias Schack-Arnott and more.
A year after COVID-19 shut down live music, co-director Adele Schonhardt discusses how an idea to stream concerts for a few weeks in lockdown has become Australia’s fastest growing national arts company.
An intimate Easter program from Andrew Haveron and the SSO.
The new injection of funding comes as the arts industry faces the “cliff edge” of JobKeeper’s termination this month.
The arts consultant and Churchill Fellow, who originally trained as a flute player, explains how she found a career in diversity, access and inclusion and what Australian arts organisations can learn from their counterparts in the US and the UK.
The Australian tenor, whose career spanned almost six decades, has died at 93.